@article{Shaukat Ali_Mohammad Muazzam Sharif_Kashif Ahmad_Iqra Nisa_Sobia Sharif_2022, title={AN EXISTENTIAL ANALYSIS OF BONG JOON-HO’S MOVIE PARASITE}, volume={19}, url={https://archives.palarch.nl/index.php/jae/article/view/11435}, abstractNote={<p>This paper explores existential themes in the story and characterization of Bong Joon-ho’s Oscar Award winning, Korean movie, <em>Parasite</em> which is a brutal satire about the disparity of wealth in modern societies. Being a philosophical movie, <em>Parasite</em> is full of such instances which reveal the inner crises of the alienated lower class people in contradiction to the prevailing social, and economic circumstances. The characters of the movie suffer from existential angst due to their unbearable economic circumstances, where on one side, there is abject poverty and extreme affluence on the other side. The researcher has examined the symbols, dialogues, and actions of the protagonists and the ultimate suffering, in consequences of those actions through the perspective of existentialism.</p>}, number={4}, journal={PalArch’s Journal of Archaeology of Egypt / Egyptology}, author={Shaukat Ali and Mohammad Muazzam Sharif and Kashif Ahmad and Iqra Nisa and Sobia Sharif}, year={2022}, month={Oct.}, pages={132-146} }