@article{Haris Supratno_Resdianto Permata Raharjo2_2020, title={TYPOLOGICAL ICONS IN TENGGER MASK PUPPET SHOW REFLECTING THE NATURAL AND SOCIOCULTURAL PHENOMENA OF TENGGER COMMUNITY}, volume={17}, url={https://archives.palarch.nl/index.php/jae/article/view/559}, abstractNote={<p>Tengger mask puppet show is one of fascinating and unique Tengger local cultures. It still exists<br>in the middle of Tengger community because related to the belief of them, if they have children<br>called anak ontang anting, pancuran kaapit sendang, sendang kaapit pancuran, and pandawa<br>lima, they must be ritually cleansed (getting a special ceremony called Ruwatan). If not, they will<br>be eaten by Bethara Kala. This belief is still bestowed by Tengger community. Ruwatan<br>Ceremony uses Tengger mask puppet show as the media. Tengger mask puppet show contains<br>many typological icons. Typological icons are signs that have direct similar relationship between<br>signifier and signified. The typological icons in Tengger mask puppet show reflect the real life of<br>natural and socio-cultural conditions of Tengger community. The typological icons relate to<br>forests, mountains, agriculture, the countryside, and animals. They are Wana Jeribaya, climbing<br>up the mountains and down the cliffs, Karang Kletek village, Klampis Ireng village, oxen, white<br>pigeon, planting palawijo seems so green, right on the peak, the Peak of B 29, Randu Pitu, and<br>Randu Sanga.</p>}, number={4}, journal={PalArch’s Journal of Archaeology of Egypt / Egyptology}, author={Haris Supratno and Resdianto Permata Raharjo2}, year={2020}, month={Nov.}, pages={1093-1110} }