THE AESTHETIC OF ALLITERATION APPROACH (AN APPLIED STUDY IN HADITHS FROM THE MUSTADRAK ON THE SAHIH)

Abstract

Alliteration belongs to the rhetoricians to the third science of rhetoric, which is the science of rhetoric, and it is included in the second section of it, which is verbal improvements, and in general, verbal improvements are “verbal aesthetics, achieved by a special composition of words, and relationships drawn in a precise manner between the sounds of words and the bells of letters.” Perhaps one of the first accurate definitions of alliteration is Ibn Al-Mu’tazz’s saying: “It is that the word comes into another homogeneity in a line of poetry and speech, and its homogeneity has to imitate it in composing its letters on the way that Al-Asma’i composed the book Al-Annas on it.” In his book, the second of the five major chapters of Badi’, he recognized him and illustrated the good and the defective with various examples. After this applied study of the music of alliteration in the hadiths of the Prophet from the book Al-Mustadrak on the Two Sahihs, we reached the following results. The stylists see that the goal that the original color aims to achieve is to arouse the listener's attention to the effect of alliteration on the phonemic harmony between words and sentences. The main purpose of alliteration in the hadiths of sedition is to consolidate the meanings in the minds of the honorable Companions in particular and the nation in general. Alliteration overlaps with other stylistic arts in the hadiths of temptation, such as tabaq, the interview, and repetition. The full alliteration did not occupy a large space among the other types of alliteration in the hadiths of fitnah; perhaps this stems from the fact that this type of alliteration is not widely spread in Arab speech, especially ancient Arabic poetry.