EROTIC POETRY (SENSORY) AND ITS AESTHETIC FORMATIONS IN THE PASSIONATE LOVE OF YAHIYA AL-SAMAWI
Abstract
Yahiya Abbas Abboud al-Hasanawi, famous for (Yahiya al-Samawi), was born in the city of Samawah, Iraq, on the 16th of March 1949 CE, and is a contemporary Iraqi poet and writer who is one of the distinguished poets of the modern era. He contributed creatively to the three forms of ancient heritage-splitting poetry, modern activism and the modernist prose poem, and in supplementing and enriching the structure of the Arab poetic map in the modern poem in general, and the Iraqi in particular and renewing it with his creative cultural creative talent and his distinct expressive style. He was a brilliant intellectual poet, educated, ambitious, and bold in his poetry, and devoted a great deal of his attention and self-care, and his creative effort in his sober poetic speeches for the cause of (women), the symbol of love for the homeland, the land and life. This feeling led him to enter the midst of her visible, visible and invisible image. , And described it as a sensual, aesthetic, and accurate description that draws attention to it through his intellectual imagination in an oppositional duality between the art of the (erotic) creative, aesthetic, sensual sacred, and the technique of (Strepties), which is a cheap and defiled vulgarity that was dealt with before him by the ancient Arab poets, Kamru al-Qais, and Abu Nabi Nizar Qabbani, Saadi Youssef, Hussain Mardan al-Iraqi, and the writer Abdo Wazen the Lebanese _ to elevate the eroticism of poetry from the culture of the old emptied sexual pleasure vessel to the creativity of the aesthetic desire for physical love of human spiritual value. And this is based on the principle of the religious norm of Illuminati Naqlid al-Qudsi, which believes in Gentleness The divine love and his psychological torments that God is beautiful and benevolent loves beauty, happiness, and the true truth of his cosmic creatures and his existential deities on earth , and the intentionality that the heavenly negates in the pure creative poetics of Ayrotic aims with clear manifestation through the keys of this intense title threshold that represents the richness of the text. On the rhetoric of artistic displacement and the dramatic paradox, to embracing the consciousness of the reader and the recipient, charging his psychological readiness, opening his imaginary imagination, and integrating his intellectual and cultural awareness on the spiritual and artistic acceptance of the sensual aesthetic aesthetics in the texts of his speech, which took care of the duality of interaction between (woman and homeland), where he was most caring for In it the poet becomes a home, and the country is a sweetheart.