TIME AND PALCE SENSE IN OIL PAINTING TECHNIQUES (AN APPLIED STUDY)

Abstract

The sense of time and space to draw a direct nature by instinctively looking at things, and the adoption of the reduction of shapes to be simulated, the work, starting from the extremes of the shadows down to the light regions. The authority of time and place controls the administration of some techniques such as glazing (Glazing), which affects the calculation of the time period due to leaving the work until the panel is completely dry. The performance with the knife depends on the quick and direct touch (specific execution time). The demonstration process is remarkably carried out after factors that the tools share with awareness and constant focus on performance. The most important conclusions: The sense of time and place in relation to the coating material is through the passage of a period of time until the oily substance condenses over the place of the photographic surface, and on the palette color plate, due to the success of the oil work, the reduction of the completion time, and the ease of carrying the oily coating material for most of the techniques used.