The Perfect Equilibrium of Designs Executed on Ancient Iraqi Pottery

Abstract

The research problem dealt with the cognitive nature of the intellectual expansion in the systems of aesthetic creativity, and the nature of the materials taken as components of their sensory structure, within the aesthetic Equilibrium circle because it is an art of a transformation in the artistic and technical form, as well as the possibility of its openness to the neighboring rich races, and this is what called for the study of systems of change in the structure Pottery and what constitutes a new reading. What the research consists of four parts with the general framework of the research, in which the research problem and the need for it are determined. With an indication of the importance of its existence, then a definition of the goal of the research represented in the ideal Equilibrium in designs executed on ancient Iraqi pottery, followed by laying the three objective boundaries of the research, temporal and spatial after that, then defining the terms related to the title, and then presenting the theoretical framework and indicators that resulted from academic theorizing of the topic. The researchers have identified two implicit titles within this framework to ensure that the research topic is read according to its various definitional frameworks. It was as follows: the concept of ideal Equilibriumin ancient Iraqi pottery. The third chapter represents the research procedures, by revealing the studied community and the selected sample of 4 works. Then,it determines the methodology of the search tool, followed by the analysis of the sample. As for the fourth chapter, it included the results of the research, conclusions and recommendations including the acquisition of pottery shape an ideal equilibrium through space, color and line that formed an integration and visual unity for the whole scene.