THE INTELLECTUAL DIMENSIONS IN CONTEMPORARY IRAQI PAINTING AND THEIR IMPLICATIONS FOR PRODUCTIONS (STUDENTS OF THE DEPARTMENT OF ART EDUCATION)

Authors

  • Shrook Abdul Saheb Mohsen Rashid Al-Fatlawi, Assist. Prof. Mohammed Juwaid Husseina

Abstract

The research dealt with the tagged: ((intellectual dimensions in contemporary Iraqi painting and their implications for the products of students of the Department of Art Education)); The nature of the concept of intellectual dimensions in contemporary Iraqi painting and its implications for the products of students of the Department of Art Education, and it has four sections: the first section concerned with the methodological framework The research represented: The research problem that dealt with highlighting these dimensions and their fundamental connection with drawings of the fifties and sixties of the twentieth century in the contemporary Iraqi formation, as the nature of contemporary Iraqi painting relates to many references, extending from the arts of ancient Iraqi civilization and passing through art. Islamic and folk heritage, as well as modern European art, which took a clear place in the methods of Iraqi painters who benefited from the data and mechanisms of working this art on the diversity of its methods of production in terms of shapes, ideas and techniques used, as it contained the two aims of the research, namely

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Published

2021-03-17

How to Cite

Shrook Abdul Saheb Mohsen Rashid Al-Fatlawi, Assist. Prof. Mohammed Juwaid Husseina. (2021). THE INTELLECTUAL DIMENSIONS IN CONTEMPORARY IRAQI PAINTING AND THEIR IMPLICATIONS FOR PRODUCTIONS (STUDENTS OF THE DEPARTMENT OF ART EDUCATION). PalArch’s Journal of Archaeology of Egypt / Egyptology, 18(3), 4776-4806. Retrieved from https://archives.palarch.nl/index.php/jae/article/view/7686